May 4th, 2010

John Jasperse Company: The truth about Truth

by rjohnson at 6:39 pm

We’re pleased to bring Joyce audiences the New York premiere of John Jasperse Company’s Truth, Revised Histories, Wishful Thinking, and Flat Out Lies this June. The work has already received positive reviews following showings in Los Angeles and Chicago and overseas in Dresden.

While in the early stages of developing Truth, John Jasperse Company invited audience members to provide feedback to help steer the direction the work. Several open rehearsals at locations around the city have already taken place. One open rehearsal remains, and we’re lucky enough to have been invited to capture the event on video.

Please stay tuned to sneak a peek at the work as it continues to progress. Then, share you thoughts with us here or on the John Jasperse Company blog.

The following is a re-posting of the company’s invitation for audience feedback for its own blog:

With our new work in development, Truth, Revised Histories, Wishful Thinking, and Flat Out Lies, John Jasperse Company has decided to try out something different. We are inviting you to play a key role in our development process. Hopefully we’ll both learn something along the way about art and how it gets made.

Here’s how it works. We have a series of open rehearsals in New York throughout the development of this work. Locations include BAX - Brooklyn Arts Exchange, BAAD! - The Bronx Academy of Art and Dance, Staten Island University, Topaz Arts in Queens and CPR - The Center for Performance Research in Brooklyn.

We were very happy to have had a two-week residency at Jacob’s Pillow in early October. Since then we’re back in New York and we’ll soon have the first of a series of open rehearsals where we’ll show segments of what we’re working on to get your take on what we’re doing.

This is as much about us learning something from your feedback as it is “educational outreach” in the traditional sense. So please feel free to be bold and really tell it as you see it. Diversity of opinion is what we’re looking for.

The piece will be presented in its final form as an evening-length work with a commissioned score by composer Hahn Rowe for live string quartet and electronics. Scenic and visual design is by John Jasperse, with lighting design by Jasperse in collaboration with Joe Levasseur. Truth will premiere in September 2009 in Dresden with the New York premiere at The Joyce Theater in the 2009-10 season.

Truth addresses both the properties and results of beliefs and belief systems and the processes involved in their construction, re-evaluation and development. In the first case, the work will examine the relative nature of truth, the powerful (and potentially dangerous) solace to be found in certainty in possessing concrete plans and plausible explanations, the rarity of such certainty occurring through the trajectory of life and the tools which one employs to deal with this lack. In the second case, the work will explore persuasion, how we make others believe in order that we might believe ourselves, pretending or the power of imagination in creating reality, the formation of myth, and the potential values and liabilities of skepticism. The work will consider both the potentially uncomfortable and often disconcerting inconsistencies that abound in the real that can at times catalyze one to reject it versus the relative neatness, clarity, and comfort that the false can sometimes afford us. The work will explore heresy, radical ideas, perceived delusional thoughts & behavior, and just plain nonsense as powerful tools, which can paradoxically hold us back and alternately incite transformational growth.

Two particularly relevant quotes by two American luminary humorists come to mind in relationship to these concerns: “Facts are stubborn, but statistics are more pliable.” - Mark Twain and “As scarce as truth is, the supply has always been in excess of the demand.” - Josh Billings

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