Archive for September, 2009

September 30th, 2009

Eidolon Ballet at Joyce SoHo Oct 1-3 – Melanie Cortier

by ceilers at 5:36 pm

Interview by Justin D. Wright

(It’s slowly becoming a tradition it seems for me to somehow be surprised by these short interviews I keep giving. If I were to blame it on my newness to the dance community, I’d have to also blame it on my apparent inability to learn enough about these groups that I ask them to repeat themselves after a particularly surprising detail comes to light. It has been, at the very least, fun for me during the process. Melanie Cortier, Artistic Director of Eidolon Ballet, was no exception to my eventual surprise.)

JW: So, Melanie, the main thing I try and do with these interviews is to find interesting things about your company and get you to say a few words about them. This way anyone who happened along the interview would hopefully find this to be a reason to come to your show.

(At this point, all is normal.)

JW: On your mission statement I kept seeing words like “management principles” and a lot of different tech or administration type tasks that you assign to your dancers. This is all by design, yes?

MC: Right. There weren’t any opportunities when the three of us first started up the company. We basically jumped in and started learning how to do it from the ground up. Throughout our history the door has been wide open – if you want to learn how to do something then we find someone who knows how to do it so that you can get your hands dirty. It helps build a resume and allows you some opportunities later on. Eventually we have to stop dancing. With this, you’ll have a portfolio so that you can go get work afterwards. We’ve had a lot of success with it so far.

At first we thought about requiring everyone in the company to know how to do every aspect of putting on a show, but we realized that was no good because not everyone wants to make costumes or do lighting.

JW: So what are you bringing this weekend?

MC: The piece we’re performing is called Decology, which comes from “Deco,” being our 10 year anniversary and our doing a Green performance, so “Ecology.” All the material we’re using for the costumes are from Materials For The Arts, so it’s reused cloth or landfill rescues – things like that. Nothing’s new or purchased. Same with props - although in this particular show we don’t have any. We also have slide projections as our programs instead of using extra paper, so we’ll have a projection with the information onto the back wall. Just give people what they need without any waste.

(Here I’m intrigued, as generally speaking I haven’t seen ecology as something that’s particularly important to arts groups.)

JW: Can I ask your inspiration for this? I don’t think I’ve seen it as an important issue for many groups before you. Did you just wake up one morning and decide to be less wasteful?

MC: I just noticed the movement and one day asked “can Dance be green?” What can I do as we’re performing? What can we do to help contribute in our small way?

(Fine idea to reuse costumes and even finer to save something from a landfill, just as long as it’s thoroughly washed of course. Here the artist in me is intrigued at the concept of a green performance rather than just using recycled things.)

JW: Did you have any inspiration for your pieces on the idea of ecology? How did that work? What are the pieces are you performing for us this weekend?

MC: It’s our 10 year anniversary, so some of them are pieces that people have been asking about. For our new pieces we sought out music specifically that was made from old, recycled instruments or found instruments/objects that we could reuse to make the score.

(I actually laughed at this next part.)

MC: One of the pieces the composer used Potato Mashers and beat on anything he could find. Our one live musician Natalia plays the Carpenter Saw, which she carries around in a rifle case. The Thai Elephant Orchestra is one of my favorites. The instruments the animals play are made from things out of the forest. They have a giant cymbal that was made from this circular saw that they found left by some illegal logging companies. We’re just trying to find something new and interesting out of something that was once garbage.

(…and now for one of my more embarrassing questions I’ve ever asked.)

JW: An Elephant Orchestra?! …it’s a recording, right?

MC: Yes. The Elephants won’t be joining us.

Eidolon Ballet will be performing at Joyce SoHo from October 1st-3rd. More information can be found here.

September 28th, 2009

Emio Greco|PC’s [purgatorio] POPOPERA is “heaven to watch!”

by Aktina at 2:43 pm

Pamela Squires’ Washington Post review of [purgatorio] POPOPERA describes Greco’s work as trying to “erase the line between music and dance” in a manner that is “anything but ordinary. There are wigs and glittery pants and banks of blinding lights and a semi-nude dancer encased in see-though material from face to toe. The score crashes and slashes and often crescendos to earsplitting levels, ending with a shriek. The silence that follows is deafening.”

Read the full review here.

September 23rd, 2009

Isadora takes the train

by jwright at 6:29 pm

See Catherine Gallant/DANCE, performing this week at Joyce SoHo, in "Isadora takes the train," inspired by Isadora Duncan.  Watch it now! 

September 23rd, 2009

Music, Movement Between Worlds

by rjohnson at 2:10 pm

In a recent Washington Post preview article of Emio Greco|PC’s [purgatorio] POPOPERA, Lisa Traiger writes, “…there’s something vital and thought provoking in the way Greco’s five dancer-musicians and one singer overpower a stage. Critics from Seattle to Sydney have lauded the Amsterdam-based company for its dynamism, its mixture of classical ideas and contemporary vocabularies, its eccentricity and ferocity.”

Read the full article here.

See the NYC premiere of [purgatorio] POPOPERA at The Joyce Theater Sep 29-Oct 4.

September 23rd, 2009

Emio Greco: "Let's Create a Rock Dance"

by rjohnson at 1:55 pm

Choreographers Emio Greco and Pieter C. Scholten, directors of the Amsterdam Based dance company Emio Greco|PC, talk with Marlon Barrios Solano about the impetus behind [purgatorio] POPOPERA, their new collaboration with composer Michael Gordon.


Find more videos like this on dance-tech.net

September 15th, 2009

Carlos A. Cruz Velazquez on his upcoming evening-length work Purple Waves Fading Red

by rjohnson at 1:51 pm

Justin Write speaks with Carol A. Cruz Valezquez about his new work, which premieres at Joyce SoHo Sept. 17-20:

“I’m sorry, did you say…violent?” I asked him. I had apparently misjudged the tone Carlos Cruz Velazquez’s upcoming show and was admittedly intrigued. The group colectivodoszeta is a modest 10 people large with Carlos’ bright, cheerful face acting as a poster boy for what I had originally thought to be a cheerful Mexican folk dance influenced ensemble.

(more…)

September 15th, 2009

New Images of Lucinda Childs DANCE

by rjohnson at 12:30 pm

Lucinda Childs brings her rarely performed signature work DANCE to The Joyce Theater October 6-11. The seminal collaboration features music by Philip Glass.  Dancers seamlessly interact with a film by Sol LeWitt that is projected onto a translucent scrim in front of the stage.   These newly released images from a recent performance at the Bard SummerScape festival beautifully showcase the interplay between dancers and the film.

Lucinda Childs’ DANCE Slideshow

Purchase tickets now.

September 15th, 2009

The Music of [purgatorio] POPOPERA

by rjohnson at 11:53 am

Accliamed composer Michael Gordon (Bang on a Can) collaborated with choreographers Emio Greco and Pieter Scholten on [purgatorio] POPOPERA, a new work blending raw musicality with refined physical virtuosity.

Read what composer Michael Gordon says about the music he created for the work and listen to a sample of the music.

September 15th, 2009

The Groovaloos Shake It Up

by rjohnson at 11:46 am

LA-based hip hop group The Groovaloos bring their thrilling new stage production to New York City this week. Learn more about the company with this Dance Magazine article.

“Energy oozes from the stage as a gaggle of dancers executes heart-stopping head-spins, swaggering b-boy moves, and cool popping machinations to the scratching sounds of DJ Wish, AKA, Randy Bernal. When red-headed Alison Faulk bursts onto the scene and morphs from balletic arabesques in sneakers to high-octane hip hop, she also talks—in voice-over narration—about growing up in Miami in an uber-disciplined dance world.

Faulk is a member of the Groovaloos, the Los Angeles-based troupe of hip hop, funk, and street dancers that wowed audiences last summer at Burbank’s Falcon Theatre in a stage show called–what else–”Groovaloo.” In the 90-minute work, directed by Danny Cistone, other dancers tell their own tales, including Groovaloo founder and show co-creator Bradley “Shooz” Rapier, and Stephen “Boogie Man” Stanton.” Read more…

Join us for these free in-depth conversations between artists and audiences illustrated with dance videos and movement demonstrations. The first Dance Talks event of this season on Sep 7 focuses on Cedric Andrieux by Jrme Bel.